I’m shooting my first wedding next month. My friends Lee and Chloe are getting hitched at the RSA in London, and I have agreed to do the photography for it! Needless to say, I’m a little nervous. It’s not something I’ve done before, and it’s a pretty big deal, and really not something you want to get wrong. However, luckily for me the bride and groom are both pretty relaxed about the whole thing – photography wise, at least. My brief so far consists of “No cheese!”. I don’t (or at least try not to) “do cheese” so I should be ok. Actually, I’m not too concerned about getting decent shots. I’m not too bad at candid stuff, have a fairly good eye and know my way round my camera. The real big problem was this: They are getting married in the vaults in the RSA. It’s a beautiful space, with a nice mix of modern and rustic decor. But, being a vault it’s naturally underground. Underground means no natural light. Which means I am suddenly thrust out of my comfort zone and into the scary world of flash photography. Gulp. I’ve had a lot of good fortune in my journey to the dark (or should that be ‘light’) side. First off, while talking about the upcoming shoot and my need to get a flash, my Dad produced (from his extensive collection of gear) an amazing hammer head flash! This thing is HUGE! I tell ya, with that mounted to the side of your camera, or more accurately, with your camera mounted onto the flash you certainly look and feel the part. I also got a crash course in how to use it, and I can now, pretty much, get it to do what I want it to. My second piece of good fortune is that I got to, not only see, but shoot the space before hand. Lee, Chloe and Chloe’s parents (who are very nice, and even said I was very “professional”(!!)) spent yesterday afternoon at the venue with a lovely, helpful girl called Toni, planning, tasting and arranging every tiny detail for the day. They invited me along, and while they umm’d and ahh’d about wine, food, flowers and pretty much everything else, I was flitting around testing out the flash and getting a feel for the place. With a bit of experimentation, I got some nice results – My favourite being the bottles at the top of this post. Here’s a few others as well:
Lee preparing for the big day…

And some general detail shots:



The mirror from the dining room, which is upstairs, and naturally lit for a bit of a change:

I feel infinitely better for having been there, and having taken some shots. I’ve got more of a game plan in my head now about what/when/how to do things. Toni has the day planned with military precision, which makes my life easier as I know where to be and when. It’s nice to have someone who’s done a fair few of these giving me tips of good locations and angles etc as well.
Lee and Chloe are a great couple, and a lot of fun, so I reckon it’ll all be fine. I’m still terrified, naturally, but I think it’s a good wedding to start with, and to ease myself in. Hopefully, I’ll really enjoy it – I’m certainly excited to see what results I get! Wish me luck…